Testing is a central principle in ’Pataphysics. The Autonomous series takes this as a starting point, examining how the frame shapes embodied perception and the act of drawing.

Axonometry and isometry are widely used as technical tools, often reducing projection to a language of precision and control. The Bar Sequence series works against this tendency, reconfiguring parallel projection through an iterative process of visual compression that rejects accuracy in favour of possibility.

The Home series draws from existing places, not as surveys, but as spaces reimagined through the instability of memory. These drawings emerge through acts of misremembering, where fragments of the past are translated into uncertain, shifting conditions.

The Morphologies series responds to geometric restriction and compositional control. Each drawing exists as a fragment of something larger and ultimately unresolvable. Lines resist gravity and detach from any stable ground, suspending the work in a state of compositional stasis.

Fragments is not a defined series, but a collection of loosely connected thoughts and projections. Some works function as process tests, others as tectonic studies or compositional investigations.