RGB introduces colour into the process, using a limited palette of red, green, and blue to extend the visual language.

The geometry in the drawing develops from a logic similar to Two Horizons, but is overlaid with fragments derived from The Autonomous series. Colour operates without a fixed role. It sits behind, neither fully integrated nor entirely separate, creating a sense of ambiguity around its presence and function.

RGB resists resolution. The two parts to the drawing remain untethered, where repetition and variation coexist, and meaning is held in suspension rather than defined.