Plan responds to the socially enclosed condition of the Quirinal Palace in Rome by constructing a new spatial arrangement that infiltrates and reworks its boundaries. The drawing suggests the possibility of use and inhabitation, not as a fixed proposal, but as an emerging condition.

The work developed through a process of collage, using fragments taken from The Autonomous series. By isolating areas of solid black and removing internal line-work of those drawings a new structure forms. This layered composition establishes a field of solids and voids from which spatial configurations emerge and are discovered.

Through this process, the drawing moves toward a more grounded sense of organisation, where form begins to suggest embodied occupation. The result is not a plan in the conventional sense, but a generative framework—an open structure that supports further invention.