Testing is a central principle in ’Pataphysics. The Autonomous series takes this as a starting point, examining how the frame shapes embodied perception and the act of drawing.

Whether it be the edge of the paper, the limits of the surface, or the implied space beyond it, the frame remains an inescapable condition. These drawings work with and against that presence, introducing additional frames that impose new constraints. Within this structure, an axonometric language of chance is set into tension with control.

Here, both line and eye are directed and contained, making composition the dominant spatial force. Rather than limiting the work, these constraints create the conditions for disruption—moments where the unexpected begins to emerge.