Re-Alignment signals a move away from the translations of extrusion found in Axo and Section. Rather than developing directly from Plan, the drawing reworks its source through a process of estimation and collision, allowing new forms to emerge independently. Consequently, the drawing moves towards a more explicit engagement with tectonics, structure, and material presence.

In Re-Alignment, each line contributes to a constructable element, assembling fragments that suggest weight, connection, and enclosure. Some forms appear familiar, while others remain provisional, but all are drawn into a shared field where relationships are built through accumulation of tangibility.

In this drawing a sense of stasis found in other drawing series begins to break down. The fragments touch and join, introducing permeability and variation, suggesting a more perceivable sense of embodiment.