Italy explores the act of mapping as a speculative process rather than a descriptive one. Instead of recording an existing journey, the drawing constructs a trip that has not yet occurred, shaped by anticipation, assumption, and bias.

The lines follow an imagined route - Milan, Como, Verona, Venice, and Rome - with each location  translated into their own fragments on the page. These fragments do not aim for accuracy, but instead to form a fluctuating network of impressions, where differences in structure and form reflect variations in expectation rather than experience.