Untitled was produced alongside the A Search for Tectonics series, but stands apart as a self-contained fragment. Rather than initiating an open sequence, the drawing focuses on composition as its primary driver.

Its structure draws from the logic of the board game Snakes and Ladders, where movement unfolds across a vertical field. Within this framework, the geometry remains fragmented and unsettled, while the frame holds it in place, reinforcing the contrast between movement and control.

Although it does not extend the work in a linear way, Untitled navigates where process, uncertainty, and composition take precedence over resolution.