The Quirinal Palace in Rome presents a spatial order shaped by hierarchy and separation. It reinforces divisions between social classes, operating as a spatial diagram of imbalance. In response to this closed system, the drawings in the Quirinal Palace series project geometries that infiltrate, disrupt, and rework the palace.

The interventions suggest the possibility of use and inhabitation, operating as resistant translations of the existing space. Material or formal resolution is not the primary concern; instead, the drawings take initial steps toward potential experience.

To construct these works, plates from The Autonomous series are collaged and overlaid. Through this process, new compositional and spatial configurations emerge, allowing the drawings to interrogate the relationship between solid and void (ground and figure).