The Home series draws from existing places, not as surveys, but as spaces reimagined through the instability of memory. These drawings emerge through acts of misremembering, where fragments of the past are translated into uncertain, shifting conditions.

In this process, both a past state and a possible future begin to surface, with inaccuracy becoming the central generative catalyst. The work treats memory not as a record, but as a site of transformation.

These themes resonate with ’Pataphysical thinking, as well as ideas explored in early Dadaism and Surrealism, where misinterpretation and distortion become tools for invention.