Three Horizons develops ideas introduced in The Wall, extending the search for spatial and tectonic conditions.

Structured as three distinct sections, the drawing operates loosely as a triptych. The central and right areas reveal moments of rupture that move beyond constrained composition, suggesting fragmented conditions of space and experience beyond the frame. In contrast, the left-hand section is less dynamic, lacking a projective clarity, acting as a tectonic anchor point for the drawing.

That tension reveals that while the work begins to suggest experiential possibilities, it remains constrained by the autonomy of the frame, placing the drawing between control and instability.