Axonometry and isometry are predominantly used as technical tools, often reducing visual projection to a language of precision and control. The Bar Sequence series works against this assumption, reconfiguring parallel projection through an iterative process of visual compression that rejects resolution in favour of possibility.

Through the tensions that sit between visual repetition and resolution, the compositional system produces moments where structure gives way to inconsistency.

In this series, the assumed stability of parallel projection is unsettled. What is typically understood as factual and measurable becomes open to disruption, exposing the potential for misuse, ambiguity, and invention within a rigid visual framework.