This gyclee print of my artwork, Untitled, is produced using archival ink and is printed on high quality 290gsm art paper. All of my drawings are hand drawn using traditional architectural draughting methods.
This print is available in:
210mm x 297mm (A4)
297mm x 420mm (A3)
420mm x 594mm (A2)
Custom sizes available, just get in contact.
(Original dimensions of the work are 297mm x 390mm.
All orders will be shipped in protective mailing tubes. Please allow 3 - 5 working days for your order to be processed.
Untitled - (2021) Ink, Paper
Untitled was produced alongside the A Search for Tectonics series, but stands apart as a self-contained fragment. Rather than initiating an open sequence, the drawing focuses on composition as its primary driver.
Its structure draws from the logic of the game Snakes and Ladders, where movement unfolds across a vertical field. Within this framework, the drawing sets up a tension between instability and containment. The geometry remains fragmented and unsettled, while the frame holds it in place, reinforcing the contrast between movement and control.
Although it does not extend the work in a linear way, Untitled navigates where process, uncertainty, and composition take precedence over resolution.
This gyclee print of my artwork, Untitled, is produced using archival ink and is printed on high quality 290gsm art paper. All of my drawings are hand drawn using traditional architectural draughting methods.
This print is available in:
210mm x 297mm (A4)
297mm x 420mm (A3)
420mm x 594mm (A2)
Custom sizes available, just get in contact.
(Original dimensions of the work are 297mm x 390mm.
All orders will be shipped in protective mailing tubes. Please allow 3 - 5 working days for your order to be processed.
Untitled - (2021) Ink, Paper
Untitled was produced alongside the A Search for Tectonics series, but stands apart as a self-contained fragment. Rather than initiating an open sequence, the drawing focuses on composition as its primary driver.
Its structure draws from the logic of the game Snakes and Ladders, where movement unfolds across a vertical field. Within this framework, the drawing sets up a tension between instability and containment. The geometry remains fragmented and unsettled, while the frame holds it in place, reinforcing the contrast between movement and control.
Although it does not extend the work in a linear way, Untitled navigates where process, uncertainty, and composition take precedence over resolution.