Square 2

from £25.00

This gyclee print of my artwork, Square 2, is produced using archival ink and is printed on high quality 290gsm art paper. All of my drawings are hand drawn using traditional architectural draughting methods.

This print is available in:

210mm x 297mm (A4)

297mm x 420mm (A3)

420mm x 594mm (A2)

Custom sizes available, just get in contact

(Original dimensions of the work are 420mm x 594mm. (16.5” x 23.4”)

All orders will be shipped in protective mailing tubes. Please allow 3 - 5 working days for your order to be processed.

Square 2 - (2019) Graphite, Paper

The Square sequence explores the division of the frame into four quadrants, using this structure to generate conditions of conflict and contrast.

Each section operates as a partial view, projecting a fragment that relates to—but does not fully align with—the others. Rather than producing clarity, the drawings  disrupt continuity, preventing the four parts from resolving into a unified whole. What emerges instead is a unclear field of relations, where connections remain uncertain and unstable.

The projections extend beyond the limits of each quadrant, suggesting a space that exceeds the frame without ever being fully defined. Through this gesture the work moves away from fixed structure, allowing discontinuity and ambiguity to further take hold.

The Square sequence is a distinct point of departure, where the frame no longer stabilises the drawings but begins to break down.

Size:

This gyclee print of my artwork, Square 2, is produced using archival ink and is printed on high quality 290gsm art paper. All of my drawings are hand drawn using traditional architectural draughting methods.

This print is available in:

210mm x 297mm (A4)

297mm x 420mm (A3)

420mm x 594mm (A2)

Custom sizes available, just get in contact

(Original dimensions of the work are 420mm x 594mm. (16.5” x 23.4”)

All orders will be shipped in protective mailing tubes. Please allow 3 - 5 working days for your order to be processed.

Square 2 - (2019) Graphite, Paper

The Square sequence explores the division of the frame into four quadrants, using this structure to generate conditions of conflict and contrast.

Each section operates as a partial view, projecting a fragment that relates to—but does not fully align with—the others. Rather than producing clarity, the drawings  disrupt continuity, preventing the four parts from resolving into a unified whole. What emerges instead is a unclear field of relations, where connections remain uncertain and unstable.

The projections extend beyond the limits of each quadrant, suggesting a space that exceeds the frame without ever being fully defined. Through this gesture the work moves away from fixed structure, allowing discontinuity and ambiguity to further take hold.

The Square sequence is a distinct point of departure, where the frame no longer stabilises the drawings but begins to break down.