Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
This gyclee print of my artwork, Brown 2, is produced using archival ink and is printed on high quality 290gsm art paper. All of my drawings are hand drawn using traditional architectural draughting methods.
This print is available in:
210mm x 297mm (A4)
297mm x 420mm (A3)
420mm x 594mm (A2)
Custom sizes available, just get in contact
(Original dimensions of the work are 500mm x 594mm.
All orders will be shipped in protective mailing tubes. Please allow 3 - 5 working days for your order to be processed.
Brown 2 - (2023) Ink, Parcel paper
Brown 2 builds on the fragments introduced in Brown 1, breaking the condition of stasis, allowing the geometries to configure into a more embodied condition.
The work is loosely anchored to a specific site and geometry, structured around a central vertical axis that divides the page. From this, lines extend, gather and diverge, producing distinct areas that establish varying configurations, without ever fully describing them.
Brown 2 moves the studies toward a more experiential register, where geometric intuition replaces measurement, and the drawing opens toward a future condition that remains undefined.
This gyclee print of my artwork, Brown 2, is produced using archival ink and is printed on high quality 290gsm art paper. All of my drawings are hand drawn using traditional architectural draughting methods.
This print is available in:
210mm x 297mm (A4)
297mm x 420mm (A3)
420mm x 594mm (A2)
Custom sizes available, just get in contact
(Original dimensions of the work are 500mm x 594mm.
All orders will be shipped in protective mailing tubes. Please allow 3 - 5 working days for your order to be processed.
Brown 2 - (2023) Ink, Parcel paper
Brown 2 builds on the fragments introduced in Brown 1, breaking the condition of stasis, allowing the geometries to configure into a more embodied condition.
The work is loosely anchored to a specific site and geometry, structured around a central vertical axis that divides the page. From this, lines extend, gather and diverge, producing distinct areas that establish varying configurations, without ever fully describing them.
Brown 2 moves the studies toward a more experiential register, where geometric intuition replaces measurement, and the drawing opens toward a future condition that remains undefined.