Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
This gyclee print of my artwork, Brown 1, is produced using archival ink and is printed on high quality 290gsm art paper. All of my drawings are hand drawn using traditional architectural draughting methods.
This print is available in:
210mm x 297mm (A4)
297mm x 420mm (A3)
420mm x 594mm (A2)
Custom sizes available, just get in contact
(Original dimensions of the work are 297mm x 420mm.
All orders will be shipped in protective mailing tubes. Please allow 3 - 5 working days for your order to be processed.
Brown 1 - (2023) Ink, Baking paper
Brown 1 emerged from having no clear endpoint, existing in an ongoing state of unfinished. In response, the work adopts a more restrained approach, using a limited number of forms to suggest a fragment of larger possibility.
The geometries are positioned at varying angles, resisting alignment and avoiding any stable ground. Rather than resolving into a cohesive structure, the drawing is suspended, holding its elements in a state of axial stasis.
Brown 1 embraces reduction. This shift allows the drawing to move in a different direction, where restraint once again becomes a central generative condition.
This gyclee print of my artwork, Brown 1, is produced using archival ink and is printed on high quality 290gsm art paper. All of my drawings are hand drawn using traditional architectural draughting methods.
This print is available in:
210mm x 297mm (A4)
297mm x 420mm (A3)
420mm x 594mm (A2)
Custom sizes available, just get in contact
(Original dimensions of the work are 297mm x 420mm.
All orders will be shipped in protective mailing tubes. Please allow 3 - 5 working days for your order to be processed.
Brown 1 - (2023) Ink, Baking paper
Brown 1 emerged from having no clear endpoint, existing in an ongoing state of unfinished. In response, the work adopts a more restrained approach, using a limited number of forms to suggest a fragment of larger possibility.
The geometries are positioned at varying angles, resisting alignment and avoiding any stable ground. Rather than resolving into a cohesive structure, the drawing is suspended, holding its elements in a state of axial stasis.
Brown 1 embraces reduction. This shift allows the drawing to move in a different direction, where restraint once again becomes a central generative condition.